Category Archives: 2020 Films

Review: Songbird (2020)

Preamble Since I was made aware of its existence, Songbird is a film I’ve been curious to see. Despite its subject matter, I think films like this are important for helping us deal with our stark times. And I was … Continue reading

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My Top Five Films of 2020

Intro In many ways, 2020 has been a strange year. With cinemas closing, subsequently re-opening in a limited window and the genuine safety concerns of returning to them: watching newer movies has been a frustrating experience. This is even without … Continue reading

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Review: Tenet (2020)

Depending on who you ask, Tenet’s release in 2020 became symbolic for something larger about the medium. At worst, it represented a trend for art to trump all adversity (even amidst a pandemic) or at best: the film that will … Continue reading

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Brief Thoughts on a Trailer: Dune (2020)

If there ever was a trailer that was going to make me drop everything and immediately watch (with the mad crazed energy of a chihuahua on a sugar high) then it’s the one for Denis Villeneuve’s Dune. In a year … Continue reading

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Review: Mulan (2020)

Out of all the animated features that graced the 90s Disney renaissance, Mulan was the most intriguing. The film proved to be an interesting inversion of the Disney formula: justifying the existence of its central sidekick (Mushu) by paralleling his … Continue reading

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Personal Post: Why I’m Not Seeing Tenet when it hits UK Cinemas

It’s never easy being the man who sits at the back of auditorium with their arms firmly crossed and their head shaking when the rest of the room is in general agreement over a course of action. But alas, I … Continue reading

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Editorial: COVID-19 and My Future Blog Posts

This week has seen a complete closure of cinemas, gyms, pubs, coffee shops and many other public places. It hardly needs reminding that COVID-19 has changed the fabric of our lives and way we do things. With the closure of … Continue reading

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Review: The Invisible Man (2020)

HG Wells’s The Invisible Man has always been a story with limitless potential. The novel mixes a bemused comedic spirit (courtesy of some of the people who encounter the title character) and a palpable fear of its central scientist whose … Continue reading

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Review: The Lighthouse (2020)

In 2016, Robert Eggers impressed the world with The Witch: a meticulous period film, mixing Christian import and feverish paranoia in its telling of a New England family, succumbing to the follies of their puritanical existence. The film remains one … Continue reading

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Review: 1917 (2020)

Cinema is no stranger to one take shots. Orson Welles and Stanley Kubrick created indelible sequences that made Touch of Evil and Paths of Glory part of our cinematic dreamscape. Alfred Hitchcock impressively tried to make his one location murder … Continue reading

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