Tag Archives: Horror Movie

Review: The Conjuring: The Devil Made Me Do It (2021)

Preamble To quote Randy Quaid’s character from Independence Day (1996), “Hello, boys! I’m BAAAAAACK!” I won’t bore you with the details of my long absence, but it’s great to blog again. Better yet, this post marks the first time I’m … Continue reading

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My Top Five Most Formative Films

Preamble Between work becoming horrendously busy and a general lack of motivation, posts have been a rare occurrence on the blog lately. So, to remedy this, I’ve decided to write posts that take stock (in a sense) and indulge in … Continue reading

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My Top Five Alternative Horror Films

5) Black Sabbath (1963) What’s Halloween without an anthology film to make your blood run cold? Mario Bava’s striking, colourful and dreamlike film tell stories that vary from telephone stalking to a chilling vampire tale. Aside from inspiring the name … Continue reading

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Review: Hellraiser (1987)

Some films fill you with a feverish excitement and the ability to endlessly rhapsodise about them like a hyperactive parrot. Hellraiser is one of those films. Since I first saw it in my late teens, the film has disturbed and … Continue reading

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Argento April: The Stendhal Syndrome (1996)

In the context of what’s come before in Argento April: The Stendhal Syndrome miraculously seems like an answer to my chief criticism of Dario Argento’s output. He seems more fixated on the cinematic flourishes that pervade his films as opposed … Continue reading

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Argento April: Deep Red (1974)

Deep Red or Profundo Russo (Italian title) is the cinematic equivalent of soaring. It’s a film that illustrates Dario Argento is not merely working within the horror genre, but understands it so profoundly that he can bend it to his … Continue reading

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Argento April: The Bird with the Crystal Plumage (1971)

Loosely defined: Giallo is a popular 20th century genre that specialises in mysteries, thrillers and occasionally supernatural horror. The Italian word translates to yellow and the genre gets its name from the yellow coloured paperback novels that dominated bookshelves in … Continue reading

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Editorial: Intro to Argento April

April sees the start of themed months and I could not think of a better filmmaker then Dario Argento, to begin this series of blog posts. Despite being into Italian horror cinema, Argento has fallen of my radar compared to … Continue reading

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Review: The Invisible Man (2020)

HG Wells’s The Invisible Man has always been a story with limitless potential. The novel mixes a bemused comedic spirit (courtesy of some of the people who encounter the title character) and a palpable fear of its central scientist whose … Continue reading

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Review: The Lighthouse (2020)

In 2016, Robert Eggers impressed the world with The Witch: a meticulous period film, mixing Christian import and feverish paranoia in its telling of a New England family, succumbing to the follies of their puritanical existence. The film remains one … Continue reading

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