Category Archives: Review

Review: Halloween Kills (2021)

Preamble If there’s one type of movie that people are always game for around October, then it’s a scary movie. And after many delays, Halloween Kills finally swoops in to enliven the spooky period. Does it provide one good scare? … Continue reading

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Review: No-One (2021)

Preamble Straight up, this is my 300th blog post. I’ve had several ideas to celebrate this milestone, including a review of 300 (gimmicky I know) and the cringe-worthy equivalent to a clip show episode of a sitcom (in the form … Continue reading

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Review: No Time to Die (2021)

Preamble If there’s one film that’s encapsulated the frustration with the pandemic, then it’s No Time to Die. It was the first movie to be delayed when COVID-19 swept the world last March. This is ironic given the production history … Continue reading

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Review: Godzilla Vs. King Kong (2021)

Preamble Honestly speaking, I’ve treated this pandemic like I’m a soldier in a long unwinding trench. I’ve only focused on what’s in front of me as opposed to placing any expectations on finding an exit to the perpetual maze. However, … Continue reading

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Review: Leap of Faith: William Friedkin on The Exorcist (2019)

Preamble The Exorcist has always been one of my cinematic obsessions. When I was younger, its premise of a demonic possessed girl stuck with me like a formative camp fire story. When I saw it in my late teens, the … Continue reading

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Review: Songbird (2020)

Preamble Since I was made aware of its existence, Songbird is a film I’ve been curious to see. Despite its subject matter, I think films like this are important for helping us deal with our stark times. And I was … Continue reading

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Review: Tenet (2020)

Depending on who you ask, Tenet’s release in 2020 became symbolic for something larger about the medium. At worst, it represented a trend for art to trump all adversity (even amidst a pandemic) or at best: the film that will … Continue reading

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Review: To Catch a Thief (1955)

Alfred Hitchcock’s North by Northwest has been often interpreted as his version of a James Bond picture. However, To Catch a Thief is equally worthy of consideration for the crown. Cary Grant’s John Robie (a former cat burglar) has to … Continue reading

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Review: X-Men (2000)

In the context of the booming comic book movie genre, returning to watch X-Men is akin to looking through old photos of yourself as a teenager. Sure, you looked goofy trying to be a goth or regret that one time … Continue reading

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Argento April: The Stendhal Syndrome (1996)

In the context of what’s come before in Argento April: The Stendhal Syndrome miraculously seems like an answer to my chief criticism of Dario Argento’s output. He seems more fixated on the cinematic flourishes that pervade his films as opposed … Continue reading

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