Category Archives: Uncategorized

At a recent 70mm screening of David Lynch’s Dune, the film’s strange power captivated me, in the same manner, as witnessing an exotic dancer who rhythmically struts with utterly reckless abandon. The larger canvas was a fever dream of superimposed … Continue reading →

At this point, the Pirates of the Carribean franchise has become the cinematic equivalent of a drunken man stumbling to a vague destination using the most inane route possible. As the series has worn on, its beating heart has resided … Continue reading →

Between its sordid soap opera antics and wholesome small-town sensibility; Twin Peaks felt like a sprawling Jungian collective unconscious of Americana that was always shifting to understand its heritage and legacy. In one of the most interesting and eccentric storylines … Continue reading →

Bernardo Bertolucci’s historical epic 1900 (Novecento) is the final film in Kino Klassika’s “A World To Win: A Century of Revolution on Screen.” Inspired by Karl Marx and Friedrich Engels’ famous declaration in The Communist Manifesto, the season aims to … Continue reading →

In what has seemed like a wonderfully generational celebration that has unified various disparate fans of the popular franchise; the headline Last Jedi panel felt like a humbling bow to the Galactic festivities in Orlando. Patience was rewarded with new … Continue reading →

Wild At Heart (1990) I am fundamentally undecided about David Lynch’s Wild At Heart. A part of me wants to endorse the picture solely for the fiery, passionate and erotically charged love story between Sailor (Nicolas Cage) and Lula. (Laura … Continue reading →

Some of the greatest stories are the ones lost to time. Consequently, the mind indulges in endless speculation into the reasoning for the failed endeavour and an acute sense of wistfulness at the absence of the narrative. One such tale … Continue reading →

Introduction Beginning of an Unknown Century is the fourth film in Kino Klassika’s “A World To Win: A Century of Revolution on Screen.” Inspired by Karl Marx and Fredrich Engles’ famous declaration in The Communist Manifesto, the season aims to … Continue reading →

Watching David Lynch’s much-venerated film, Blue Velvet is akin to seeing an artist creating a solid outline for a painting and then proceeding to ruin it with sloppy brush strokes that are delivered in an infuriatingly lackadaisical manner. The narrative … Continue reading →