Tag Archives: 2018

Review: Phantom Thread (2018)

Much like the lavish and regally constructed dresses that the renowned central character makes throughout Phantom Thread: Paul Thomas Anderson’s latest feature is a nimble and cunningly made drama that has many surprises woven within its fabric. Set in 1950s London … Continue reading

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Editorial: My Top Five Questions for Cinema in 2018 (Inspired by Filmspotting)

In an attempt to make my blog seem less like a cranky and sputtering machine that magically manufacturers reviews: I have resolved to write more editorials for the express purpose of making the blog much more accessible much like a warm … Continue reading

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