Tag Archives: 2018

Review: The Man Who Killed Don Quixote (BFI London Film Festival)

By all that is sane and fair, Terry Gilliam’s long-awaited adaptation of Cervantes’s monumental comic novel- Don Quixote, is finally here. While the film’s sheer existence is a cause for celebration, keeping the long and arduous journey to the screen … Continue reading

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Brief Consideration: Lady Bird (2018)

At their worst, coming of age movies are fraught with the over-egging of bludgeoning teenage antics that make their journeys seem severely unremarkable, as maddening hysterics are favoured over sobering personal growth. Greta Gerwig’s directorial debut, Lady Bird, commendably bridges … Continue reading

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Review: Phantom Thread (2018)

Much like the lavish and regally constructed dresses that the renowned central character makes throughout Phantom Thread: Paul Thomas Anderson’s latest feature is a nimble and cunningly made drama that has many surprises woven within its fabric. Set in 1950s London … Continue reading

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Editorial: My Top Five Questions for Cinema in 2018 (Inspired by Filmspotting)

In an attempt to make my blog seem less like a cranky and sputtering machine that magically manufacturers reviews: I have resolved to write more editorials for the express purpose of making the blog much more accessible much like a warm … Continue reading

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