Author Archives: Sartaj Govind Singh

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About Sartaj Govind Singh

Notes from a distant observer: “Sartaj is a very eccentric fellow with a penchant for hats. He likes watching films and writes about them in great analytical detail. He has an MA degree in Philosophy and has been known to wear Mickey Mouse ears on his birthday.”

Concise Examination: The Last Jedi- Title and Teaser Poster

The Last Jedi, which is the title for the upcoming eighth instalment in the Star Wars saga signifies a bold jolt in audience expectation for the December 2017 release. Firstly, it breaks the tradition of the title for second movies … Continue reading

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Concise Review: Don’t Breathe (2016)

Director Fede Alvarez’s quasi-balletic free roaming camera and forensic tracking shots effortlessly make Don’t Breathe a finely crafted exercise in pulse-pounding tension. However, the real horror of the picture are the revelations of the film that cast retributive justice in … Continue reading

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Review: La La Land (2017)

La La Land is a charming and exemplary film that reminds the viewer of the romanticism of Hollywood’s better days as well as the virtues of the cinematic experience. The former is illustrated in a quiet moment when aspiring actress … Continue reading

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Review: Silence (2017)

For the much revered and venerated Martin Scorcese, Silence represents the director’s magnum opus. The film is a tremendously soul-stirring odyssey of devotion, persecution and theological struggle with Scorcese’s firm directorial hand at its most contemplative and visceral. The picture … Continue reading

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Review: The Lobster (2015)

The Lobster is one of those rare films that make you want to climb the highest mountain and express your adoration for it with a fervent joyousness. It is so audacious and masterfully crafted, even a lengthy review could not … Continue reading

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Year in Review: The Top Ten Films of 2016

1) Hell or High Water Hell or High Water is a layered and textured film that harmonies deft cinematic craft, a fascinating primary thematic exploration and small incidental moments. Consequently, the movie feels authentic, humorous and sharp. 2) Knight of … Continue reading

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Editorial: The Virtues of Black and White Film

George Miller’s ferociously savage and visionary post-apocalyptic film Mad Max: Fury Road has been recently re-released in black and white. The new version entitled the “Black and Chrome Edition” is the director’s preferred cut of the film. With this in … Continue reading

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Review: De Palma (2016)

The great surprise of the documentary De Palma is that it serves as an insightful document for advocating that a genre filmmaker can be an auteur. The picture simply shows the famed director Brain De Palma sitting down and talking … Continue reading

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Review: Rogue One- A Star Wars Story (2016)

Rogue One is the first cinematic attempt to branch out of the episodic storytelling structure that weaved the narrative of the Skywalker lineage. It halfheartedly succeeds in presenting a bold new vision for the near forty-year movie franchise. George Lucas’ … Continue reading

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Recollections of a Festival: Russian Film Week (2016)

Introduction In the midst of turbulent and unforeseen times comes the Russian Film Week, which is a festival that provided curious cinephiles and moviegoers with a glimpse into the rich cinematic heritage of the country. The festival showcased over twenty … Continue reading

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