Author Archives: Sartaj Govind Singh

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About Sartaj Govind Singh

Notes from a distant observer: “Sartaj is a very eccentric fellow with a penchant for hats. He likes watching films and writes about them in great analytical detail. He has an MA degree in Philosophy and has been known to wear Mickey Mouse ears on his birthday.”

Russian Film Week II: Introduction (2017)

Posted on November 27, 2017 by Sartaj Govind Singh

In its auspicious return this year, the Russian Film Week delivered an even greater assortment of films, workshops and post-screening Q&A sessions. However, the keynote scheme that was emphasised at the opening press conference was the festival’s budding new partnership with the … Continue reading →

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Personal Reflection: Twin Peaks (2017)

Posted on November 12, 2017 by Sartaj Govind Singh

To me, David Lynch and Mark Frost’s Twin Peaks transcended the usual disposable nature of prime-time television and instead became a healing and transformative mosaic. Earlier this year, I lost a friend due to the changing nature of the relationship, … Continue reading →

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Personal Post: An Appeal of Support for Cameron Cloutier’s Twin Peaks Fan Film

Posted on November 10, 2017 by Sartaj Govind Singh

Humble reader, today I step from behind the curtain to reveal that the film reviewer indeed has a heart. The subject of this rarefied personal post is an appeal for support of a great friend and Twin Peaks fan. Cameron Cloutier’s … Continue reading →

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Brief Consideration: Wonder Woman (2017)

Posted on November 6, 2017 by Sartaj Govind Singh

Like its titular character, Wonder Woman is a bright, graceful and sweepingly optimistic picture. Ostensibly functioning as a prequel to Batman V Superman: Dawn of Justice; the film charts the journey of the young Amazonian Princess Diana, (an effervescent and … Continue reading →

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Review: mother! (2017)

Posted on October 25, 2017 by Sartaj Govind Singh

Darren Aronofsky makes films that emotionally and thematically aim for the rafters; however, his recent film- Mother, endeavours for the stratosphere and beyond. The picture is a potently off-kilter Gothic infused Ibsen chamber piece about the battle between the ego … Continue reading →

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Brief Consideration: Under the Shadow (2016)

Posted on October 15, 2017 by Sartaj Govind Singh

In his feature film debut, writer/director Babak Anvari demonstrates an acute awareness of the underlying horror of day to day anxieties. Set in the middle period of the Iran-Iraq War, when Iraq systematically targeted major cities of the neighbouring county through … Continue reading →

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Review: Blade Runner 2049 (2017)

Posted on October 6, 2017 by Sartaj Govind Singh

Blade Runner 2049 opens with a close-up of an eye with an immediate follow-up image of someone looking up at a large silver coloured circular structure. Much like the opening shots of the original film, which illustrated the desire and … Continue reading →

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Review: Blade Runner (1982)

Posted on October 2, 2017 by Sartaj Govind Singh

Blade Runner is a haunting film that gracefully submerges any sense of genre convention in favour of something far more evocative. The primary genre at play is Film Noir, and the movie wields the frequent cinematic touches of the “dark … Continue reading →

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Personal Tribute: Harry Dean Stanton

Posted on September 18, 2017 by Sartaj Govind Singh

Harry Dean Stanton was an actor of such marvellous raw authenticity and warm presence that to see him in a film was to wrap oneself in a blanket of reassurance. This rare quality was especially evident in his continued collaboration … Continue reading →

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Brief Consideration: Twin Peaks: The Return (Part Seven- 2017)

Posted on September 15, 2017 by Sartaj Govind Singh

Rarely does an episode of television inspire me to pick up my virtual pen; let alone use it to heap praise with absolute rhapsodic merriment about a medium, which I look upon with suspicion and fear. However, Part Seven (There’s … Continue reading →

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