Category Archives: 2019 Films

Brief Consideration: The Lion King (2019)

Much like the Psycho (1998) remake, the live-action Lion King exists more as a conceptually interesting counterpoint to its source material, than an engaging work on its own terms. Although the film is inspired by the broadway musical and presented … Continue reading

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Brief Consideration: Batman: Hush (2019)

On the page, Batman: Hush was an unrelenting sprint through the character’s world and status quo, elevated by Jim Lee’s astounding artwork. Its much-beloved status came more from accessibility and grand heroic sketches than being an intriguing mystery that said … Continue reading

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Review: Spider-Man: Far From Home (2019)

In retrospect, it’s hard not to view Spider-Man: Homecoming as a perfunctory footnote in the ongoing Marvel cinematic saga. Coasting on the charm of its cast and high school setting: the film was an uninvolving and annoyingly light affair that … Continue reading

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Review: Toy Story 4 (2019)

Even by Pixar’s high standards, Toy Story 4 seems like a daunting prospect. Not only was the trilogy responsible for the animation studio becoming a household name, but the films had become like a cherished memory. Viewed through the prism … Continue reading

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Review: Godzilla: King of the Monsters (2019)

In American hands, the Godzilla franchise has gone through as much devastation as any of the metropolitan cities that the iconic monster has laid waste to. Roland Emmerich’s attempt was an awkwardly stitched patchwork of better movies. Gareth Edward split … Continue reading

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Review: Aladdin (2019)

A good case can be made that Disney’s Aladdin was the first postmodern animated film. It was fully aware of its universal love story of a poor street urchin attempting to win the affections of a fair princess but decided … Continue reading

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Review: Avengers: Endgame (2019)

The Marvel Cinematic Universe has glistened as much as any of the Infinity Stones in its eleven-year existence on the blockbuster scene. However, its Achilles heel comes from replication of its source material in being an ever-expanding bubble, that with each … Continue reading

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Review: Us (2019)

In 2017, Jordan Peele set the film world ablaze with his social thriller, Get Out. With a premise that insidiously plucked on the familiar notes of Guess Who’s Coming To Dinner: the film impressed with its measured direction and blistering commentary, that … Continue reading

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Review: Captain Marvel (2019)

From a purple-coloured mad titan to a perpetually scowly Jeff Bridges in a giant robot suit: Marvel has had plenty of challenges that would make any superhero worth their salt, quake in their boots. However, its toughest challenge to date does … Continue reading

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Review: If Beale Street Could Talk (2019)

Director Barry Jenkins creates social fables that resonate and speak to a particular time and place with vivid authenticity. His breakout feature, Moonlight, depicted coming of age in 1980s Miami with such sincerity that one could feel the emotions pouring … Continue reading

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