Tag Archives: Cinema

Personal Post: Why I’m Not Seeing Tenet when it hits UK Cinemas

It’s never easy being the man who sits at the back of auditorium with their arms firmly crossed and their head shaking when the rest of the room is in general agreement over a course of action. But alas, I … Continue reading

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My Favourite Track: X-Men 2 (2003)

In the context of modern superhero scores, X-Men 2 appeared on the scene like a breath of fresh air. Despite the 90s X-Men animated series having a dedicated theme (via the electrifying and energising intro music), superhero movies by and … Continue reading

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Editorial: My Top Three Ennio Morricone Scores

I honestly could not let the week slip away without paying tribute to Ennio Morricone. My introduction to the Italian maestro was at a pub lunch in 2014. A friend of mine was writing a list of essential movies to … Continue reading

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Editorial: My Top Five Comfort Movies

5) The Pink Panther (1964) The Pink Panther mixes a bemused comic spirit with ambitious and farcical comedic set pieces. But the film’s most comforting element is Peter Sellers’s Inspector Clouseau. There’s something inherently relatable about him. At times, I … Continue reading

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Editorial: My Top Five Moviegoing Experiences (Inspired by Filmspotting)

Introduction & Tribute Cinemas are still unfortunately closed due to the COVID-19 pandemic. But the memories of how our movie outings have moved us, thrilled us and in some rare instances- changed our lives, still linger. As we reflect fondly … Continue reading

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Editorial: Intro to Miyazaki May

May sees the continuation of themed months. From the small pockets of reactions, I’ve gotten in my personal life, admitting to not seeing a Hayao Miyazaki movie is akin to a cinematic sin. Well, your honour I now stand here … Continue reading

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My Favourite Track: The Force Awakens (2015)

Welcome to my favourite track, a new series of blog posts dedicated to a piece of film music that has moved me enough to get off the proverbial couch and madly type at the keyboard. From snappy songs to stupendous … Continue reading

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Argento April: The Stendhal Syndrome (1996)

In the context of what’s come before in Argento April: The Stendhal Syndrome miraculously seems like an answer to my chief criticism of Dario Argento’s output. He seems more fixated on the cinematic flourishes that pervade his films as opposed … Continue reading

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Argento April: Deep Red (1974)

Deep Red or Profundo Russo (Italian title) is the cinematic equivalent of soaring. It’s a film that illustrates Dario Argento is not merely working within the horror genre, but understands it so profoundly that he can bend it to his … Continue reading

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Argento April: The Bird with the Crystal Plumage (1971)

Loosely defined: Giallo is a popular 20th century genre that specialises in mysteries, thrillers and occasionally supernatural horror. The Italian word translates to yellow and the genre gets its name from the yellow coloured paperback novels that dominated bookshelves in … Continue reading

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